[...]Gwiazda ceased to be an academic sculptor. He went beyond the taboo of study and like a seasoned driver focuses on the road, not on the steering wheel. He controls the exposition of sculptures. Almost each of his projects entails a ready performance. It is directed at the recipient. Gwiazda does not play in a team, he is an individualist. He works a lot, looks for creative reasons. The artist is fascinated by Shakespeare, infinite human nature and the tragicomedy of everyday life. His faces and silhouettes fit in this vision and render it incredibly attractive. Eventually, they are directed towards the theater with all the consequences of this choice. But are they theatrical? Rather not.[...]

[...]True abstraction is derived from realism. Gwiazda creates a corporeal form with expressive overtones using the gesture and an evident psychoanalytic accent.[...] 

A fragment of the text by prof. Andrzej Szarek